WikiFur - User contributions [en]

Talk:MiffTheFox

2009-05-19T02:57:08Z

MiffTheFox: Replaced content with 'Blanked talk. --~~~~'

Blanked talk. --[[User:MiffTheFox|MiffTheFox]] ([[User Talk:MiffTheFox|of course]] ([[Special:Contributions/MiffTheFox|not]])) 02:57, 19 May 2009 (UTC)

User:MiffTheFox

2009-05-18T02:31:24Z

MiffTheFox: Removing all content from page

American Dad!

2008-10-30T06:51:45Z

MiffTheFox:

[[Image:Underdog Productions logo.jpg|right|165px]]
[[Image:Fox Broadcasting logo.png|right|95px]]

'''''American Dad!''''' is a satirical American animated series produced by [[Underdog Productions]] and television producer [[Wikipedia:Seth MacFarlane|Seth MacFarlane's]] [[Wikipedia:Fuzzy Door Productions|Fuzzy Door Productions]] for [[Wikipedia:20th Century Fox Television|20th Century Fox Television]].

== American Dad! and furry ==
[[Image:StanAndBullockAmericanDadFurryConvention.jpg|right|thumb|210px|Stan and Bullock at a furry convention]]
The third episode of the fourth series, "One Little Word", included a short scene set within a furry [[convention]]. The spot involves the show's lead character, Stan, and his boss Bullock, and is within a larger scene involving Bullock's attempt to pick up a girl.

The pair start out at a regular nightclub, but after failing to find anything but tall, beautiful white women they proceed to hanging out in a [[Wikipedia:Goth|Goth]] bar, participating in a [[Wikipedia:line dance|line dance]] in a barn, playing [[Wikipedia:spin the bottle|spin the bottle]] with a group of teens, and at a furry convention.

In each case, they are shown wearing the appropriate clothing; at the convention, this is naturally a [[fursuit]].

After their conversation, a [[squirrel]] fursuiter shows up and appears to proposition Bullock for [[Wikipedia:anal sex|anal sex]]. On being turned down, he turns away.

In what appears to be a reference to [[Wikipedia:roadkill|roadkill]], a [[Wikipedia:car|car]]suiter (also with a male voice) appears and bumps into the squirrel, knocking him to the floor. The carsuiter proceeds to hump against the squirrel, apparently to their mutual enjoyment.

The car reappears at the end of the episode, humping the unconscious body of the show's space alien, Roger. He is revealed to be Dick, a member of Bullock's CIA staff.

== Quotes ==
{{q|Stan: Helping you pick up girls? That's our dangerous mission? -- Bullock: It is tonight, Number One. Now keep your eye out for the rarest of birds: the plump Asian [[Wikipedia:skank|skank]].}}
{{q|Carsuiter: Vroom. Vroom. *humps* -- Squirrel fursuiter: Oh yeah. I'm a squirrel, and that feels greeeaaatt.}}

== Reception ==
The clip was positively received within the fandom as a good case of humor not taken too far in nature.
* Social-network [[MyFursona]] temporarily changed it's banner image to read MyCarsona, featuring an image of the car-suiter from the episode.

== See also ==
* ''[[Wikipedia:American Dad!|American Dad!]]'' and [[Wikipedia:One Little Word (American Dad!)|One Little Word]] at Wikipedia

== External links ==
* [http://www.youtube.com/watch?v=zDOM47GhwcE American Dad Furry Con] on YouTube
[[Category:Television series]][[Category:Media coverage]]

2007-05-16T12:26:06Z

MiffTheFox:

'''[[Furry fandom]]''' is a popular cultural phenomenon and a community of people who are interested in aspects of [[animal]]s and animal/[[human]] beings in art, literature, visual media and/or as the basis for a personal philosophy and/or [[lifestyle]].

==Before the Fandom==
The genre itself may be as old as civilization. Anthropomorphic animal characters are found in the art of many ancient cultures. Anthropomorphic characters from Egyptian mythology continue to this day to be a source of inspiration to furry artists. The earliest example of furry literature commonly cited by furry fans is [[Aesop’s Fables]], which date to around 500 BC.<ref>[http://www.claws-and-paws.com/furry/non-fiction/faq.html Furries] - description of the fandom with reference to Aesop’s Fables.</ref> Furry characters then continued to proliferate through the ages in the form of folk tales, many of which are a common part of our modern culture.

==Formation of the Furry Fandom==
Many agree that furry fandom had its origins in [[funny animal fandom]], which has existed since at least the 1940s. In the 1980s, a group of fans interested in animal [[character]]s in [[comic]]s and stories was forming around other organized fan activities. [[Room parties]] at [[science fiction]] [[convention]]s (furry parties), meetings of the [[C/FO]], and [[APA]] [[collating party|collating parties]] (for [[funny animal]] and cartooning APAs, such as [[Vootie]] and [[Rowrbrazzle]]). Fans kept in contact with each other on computer [[BBS]]s (Bulletin Board Systems) like the [[Tiger's Den]], [[StormGate Aerie]] and [[Kyim's Scratching Post]]; and in the early 1990s through on-line chat environments (e.g. [[Wikipedia:GEnie|GEnie]], [[Wikipedia:CompuServe|CompuServe]], [[Wikipedia:Prodigy (ISP)|Prodigy]] and [[Wikipedia:Delphi online service|Delphi]]). APAs and [[fanzine]] "wars" became popular, with mail-in art and [[comic]] contributions collated and distributed to all members.

===Introduction of classic literature===
It is not until the 1800’s that more specifically documented examples of the furry genre can be chronicled. And they are seen appearing in a variety of different forms of entertainment. These include the earliest author credited animal related fairytales by Hans Christian Anderson in 1836, the poem The Owl And The Pussycat by Edward Leer in 1871, Lewis Carroll’s fantasy novel Alice In Wonderland in 1865, Tchaikovsky’s ballet Swan Lake in 1875, Beatrix Potter’s illustrated children’s books in 1890, Rudyard Kipling’s collection of talking animal stories ''[[The Jungle Book]]'' in 1894, H. G. Wells’ 1896 novel The Island Of Doctor Moreau was the first appearance of intelligent animals in science fiction, and the first appearance of anthropomorphic animals in comic strips was James Swinnerton’s The Little Tigers in 1895.

==History of Furry Fandom==
In the earlier days of the fandom, furry fans used to gather mostly at [[science fiction]], [[fantasy]], and [[comic]] conventions before the [[furry parties]] broke out into full-fledged [[furry]] conventions.

===1960s===
In the late 60’s the beginnings of a backlash against this could be seen. The pop culture of the late sixties and early 70’s used funny animal imagery in many creative works meant for adults. The Beatles wearing fursuits on the cover of Magical Mystery Tour and the advent of Robert Crumb’s [[Fritz the Cat]] showed that many creative people saw more use for animal characters than children’s entertainment.

===1970s===
In 1976, Furry Folk also became the name of a popular line of animal puppets.<ref>[http://www.allthingsbright.com/FurryFolk/index.html Furry Folk Puppets] - example of the term Furry gaining popularity in the 70's.</ref> From that time, the term “Furry” has gradually gained popularity as an alternative to the term “Funny Animals,” as it does not carry a connotation of humor, and it is inclusive of all fantasy animals, not just the ones that walk upright and wear clothes. The term has today reached such prominent use that it is not unheard of for reviewers to refer to the characters in such films as [[Over The Hedge]] as “Furries.” <ref>[http://www.washingtonpost.com/wp-dyn/content/article/2006/05/18/AR2006051802306.html?sub=AR Critters Offer Consumer Retorts] - review in which the characters in Over The Hedge are referred to as furries.</ref>

The term “Funny Animals” soon spread beyond comic strips and into the realm of illustrated children's books. Authors such as Palmer Cox, Laura Rountree Smith and Neil Wayne Northey not only referred to their anthropomorphic characters as “Funny Animals,” they also referred to them collectively as “the furry folk” and “furry friends.” <ref>[http://72.14.209.104/search?q=cache:CZWdgw8LLhkJ:remnantprophecy.sdaglobal.org/Librarypdf/Children%27s/Paddletail-Beaver.pdf+Furry+Folk&hl=en&gl=us&ct=clnk&cd=437 Neil Wayne Northey's Paddletail] - example of early 20th century literature with the term Furry Folk highlighted throughout.</ref>

The term “Furry” has since remained in the background of animal related fantasy. Particularly in the English folk culture scene. As late as 1978, bands like Genesis and Jethro Tull were still using this furry folk terminology to refer to anthropomorphic animals in their songs.<ref>[http://64.233.161.104/search?q=cache:k-4PKXz_s3sJ:www.lyricsfreak.com/j/jethro%2Btull/the%2Bmouse%2Bpolice%2Bnever%2Bsleeps_20071013.html+little+furry+folk&hl=en&gl=us&ct=clnk&cd=40 The Mouse Police Never Sleeps] 1978 Jethro Tull lyrics with Furry Folk highlighted.</ref>

Serious animal literature soon began to appear that proved to have surprising appeal for adults. Richard Adams’ [[Watership Down]] and Richard Bach’s [[Wikipedia:Jonathan Livingston Seagull|Jonathan Livingston Seagull]] topped the best seller list in the early 70’s.

In the late 70’s, attitudes began to change again. Fantasy in general began to enjoy more respect among adult audiences, eventually becoming a major entertainment market in which there was considerable room for furry elements, such as the [[Wikipedia:Ewoks|Ewoks]] and [[Wikipedia:Wookies|Wookies]] of [[Wikipedia:Star Wars|Star Wars]], and the mythical creatures in [[Wikipedia:Piers Anthony|Piers Anthony]] novels.

===1980s===
The fandom for furry characters traces its organization back to a science fiction convention in 1980,<ref>''[http://www.arclight.net/~yarf/YARF_Chronology.html Yarf Chronology Of Furry Fandom]''</ref> when a drawing of a character from [[Steve Gallacci]]’s Albedo started a discussion of anthropomorphic characters in science fiction novels, spawning a discussion group that met at various [[science fiction]] and [[comics]] [[convention]]s.

In 1980, at the [[Worldcon|World Science Fiction Convention]] in [[wikipedia:Boston, Massachusetts|Boston, Massachusetts]], an [[Erma Felna]] painting by [[Steve Gallacci]] was entered in the art show. The [[funny animal]] artwork in an otherwise realistic setting drew attention among fans showing a common interest in [[science fiction]] and [[fantasy]] about intelligent animals. This led to an informal series of gatherings at Worldcons and [[Westercon]]s, which eventually branched into a club centered around [[Rowrbrazzle]] to organize more "formal" [[furry parties]].

1982 saw the release of four all ages furry films - [[The Secret Of NIMH]], [[The Flight Of Dragons]], [[The Last Unicorn]] and [[The Plague Dogs]]. While the fantasy novel market soon began producing such titles as Alan Dean Foster’s [[Spellsinger]] series, Brian Jacques’ [[Redwall]] and Tad Williams’ [[Tailchaser’s Song]]. And the independent comics market produced titles as varied as [[Teenage Mutant Ninja Turtles]], [[Albedo]], [[Usagi Yojimbo]], [[Cutey Bunny]], [[Critters]] and [[Omaha The Cat Dancer]].

Over the next several years, a gradually increasing number of “furry fans” developed [[fanzines]] and eventually began to have gatherings at house parties. By 1987 enough interest had been generated for the first furry convention.

As the internet became more accessible, it became the most popular means for furry fans to keep in touch and share their artistic efforts. This gained the fandom higher visibility and it began to grow rapidly.

Virtual environments, such as [[MUD|MUCK]]s, soon became the most popular places on the net for furry fans to meet and communicate. One of the oldest and largest MUCKs in existence is [[FurryMUCK]]. One of the newest virtual environments to attract furry fans is [[Second Life]].

Near the beginning of the 80’s, the furry genre enjoyed the first explosion of popularity it had seen since the 1930’s. Furry characters littered the animation world as well as toy stores. But there was also adult furry entertainment.

In 1985, at the [[San Diego Comic Convention]], Judy Niver (one of the founders of the [[C/FO]]), hosted a party in her room at the Hotel San Diego. The [[Rowrbrazzle]] APA group was also having a party in the same hotel, and there was much overlap in attendance. After that party at Comic Con, it became a tradition to have at least one furry party during the convention. In more recent years, the Comic Con party has been called [[CritterConDiego]] and [[Califur Diego]].

Also, at the 1985 [[Westercon]] Science Fiction Convention in [[wikipedia:Sacramento Valley|Sacramento]], [[wikipedia:California|California]], [[Mark Merlino]] and [[Rod O'Riley]] hosted a [[room party]] in Sheldon and Tony Linker's room. Most room parties at sci-fi and fantasy cons have a theme, so the party was called The [[Prancing Skiltaire]] party, named after Mark's apartment. The show [[Animalympics]] was screened, along with some [[wikipedia:Warner Bros.|Warner Bros.]] short cartoons, and collections of [[furry art]]work and [[:Category:Short stories|short stories]] were on display. Several visitors to the party were very interested in the videos and the art. Some showed [[sketchbook]]s and collections of their furry art. Their party at the 1986 Westercon in [[wikipedia:San Diego, California|San Diego]], CA, was the first to be openly called a [[furry party]]. After the success of these parties, Mark and Rod began hosting similar events at conventions all over California.

In 1989, [[Mark Merlino]] and [[Rod O'Riley]] decided to expand on the furry party concept and host the first prototype [[furry convention]], [[ConFurence Zero]]. ConFurence continued to be the premier international gathering place of furry fans, until other independent furry-themed conventions were organized.

===1990s===
By the start of the 90’s, the furry genre was finally starting to gain recognition as a unique segment of the arts with a specifically adult aged fandom that products could be marketed to. But this idea was not readily understood or accepted. And, as the fantasy boom of the 80’s began to subside, the promoters of the new furry market were driven underground, where they found companionship with another fledgling market, [[anime]].

On the [[wikipedia:United States|U.S.]] east coast, furry fans were gathering at the [[wikipedia:New York|New York]] chapter of the [[C/FO]], founded by [[Ken Sample]] and friends. [[Ray Rooney]] and [[Major Matt Mason]] hosted parties in their suite at [[wikipedia:Philcon|Philcon]] in [[wikipedia:Philadelphia|Philadelphia]] for several years. Philcon eventually hosted the first major Furry [[art show]] and [[dealer's room]]. In 1994, [[Trish Ny]] organized [[Furtasticon]], a prototype east coast furry convention at the [[wikipedia:Holiday Inn|Holiday Inn]], next to the [[Adam's Mark]] hotel, Philcon's venue. Trish went on to found [[ConFurence East]] in 1995.

In 1996, at the [[Worldcon|World Science Fiction Convention]] in [[wikipedia:Anaheim, California|Anaheim, California]], the [[Furry Fandom Lounge]] was organized by the [[ConFurence]] committee as five-day furry programming track. The general Worldcon program schedule publicized the furry parties, panels, and exhibits which even included a glass-encased "History of Furry Fandom" display by [[David Bliss]].

In 1997, [[Anthrocon]] is first held in [[wikipedia:Albany, New York|Albany, New York]] and goes on to become the largest [[furry convention]] to date.

In 1999, at the [[NASFiC|North American Science Fiction Convention]] in [[wikipedia:Anaheim, California|Anaheim, California]], the [[Furry Fandom Lounge]] reflected on 15 years of fandom.

===2000s===
Today, those furry fans who have discovered the large concentration of fellow fans on the net have joined with them to create the virtual society that is the collective furry community. Other furry fans, particularly the computer illiterate, remain isolated in their interest with little to no awareness that there is an organized community for fans of the furry genre.

The furry genre was firmly established by the start of the 20th century. Since then it has enjoyed many ups and downs in terms of popularity and acceptability among adults. Particularly in the early 20th century, fantasy animal characters were an object of fascination to children and adults alike, appearing in almost every conceivable type of entertainment and establishing themselves as a major marketing tool, not only of consumer products, but of political ideas. This was best demonstrated In 1945 by George Orwell’s [[Animal Farm]].

In the later half of the 20th century, general attitudes towards animal related fantasy changed. Cartoons and literature focused most of their animal related efforts on the children’s entertainment market, inspiring many to believe that cartoons and animal stories were strictly for kids. Though this does not seem to have prevented adults from continuing to enjoy the antics of funny animals in the comic strips.

Since then, the mainstream entertainment industry has continued to create many works within the furry genre which are mostly directed at children, while the furry community has steadily grown on the internet providing entertainment for adult aged audiences.

In 2003, Dr. Samuel Conway (also known as [[Uncle Kage]] of [[Anthrocon]]) was a [[guest of honor]] at the [[I-CON]] science fiction and fantasy convention in [[wikipedia:Stony Brook, New York|Stony Brook, New York]]. His renowned story hour has since become a fixture of the convention through recent years.

In 2006, at the [[NASFiC|North American Science Fiction Convention]] in [[wikipedia:SeaTac, Washington|SeaTac, Washington]], the [[Stalking Cat]] was one of the notable program participants.

At the 2006 [[Westercon]] in [[wikipedia:San Diego, California|San Diego]], a 20th anniversary furry party was held.

At the 2006 [[Worldcon|World Science Fiction Convention]] in [[wikipedia:Anaheim, California|Anaheim, California]], the [[Furry Fandom Lounge]] returned under the organization of [[Rod O'Riley]] of the [[Califur]] group. The programming track included a furry artist reception and panels ranging from [[fursuit]]ing basics to the new world of furry [[webcomic]]s.

==Internet==
By 1992, furry fans could participate in on-line social role-playing environments for free, if they had access to the Internet. [[MUCK]]s, Mushes and [[MOO]]s were created by furry fans for furry fans and hosted at educational and commercial sites. With the dawn of the World Wide Web, furry fans found their Mecca, with personal web sites, art and writing archives and forums providing a way for furry fans to communicate and share their interests internationally. [[Yerf]] and [[YiffCo]] and [[VCL]] and other art archives soon dominated the art scene.

In the late 1990's, [[David J. Rust]] (aka [[Sylvan]]), attempted to document the internal social dynamics and trends within Furry fandom. While originally intended to be a [[fan film]] documentary, the research he conducted from 1996 - 1997 was eventually collated into [[The Sociology of Furry Fandom, a Subculture Study]], the first academic study of [[furry sociology]].

===unknown day of event===
{{Cleanup}}
(comic strip formation)
Once the comic strip had been introduced, anthropomorphic characters quickly became almost synonymous with that art form. Comic strips would become known as The Funnies, and animals in comic strips would become known as Funny Animals.

(joining of anime and anthropomorphics artists)
Since anime and anthropomorphics artists were both involved in the unlikely concept of marketing cartoons to adults, they often joined forces in the creation of companies like [[Antarctic Press]] and [[Radio Comix]], which were some of the principle promoters of a new adult market for cartoons.

(comic industry crash)
Unfortunately, such companies had only been moderately successful in this endeavor at the point where the entire comic industry crashed. At this point anime and furry went separate ways. Anime used television as a means of promoting itself, while furry fans turned to the internet.

==Small press publishers==
{{Split}}
Comics were the driving force in the early days, largely thanks to the wellspring of anthro-based comics that erupted on the American scene with the success of [[Teenage Mutant Ninja Turtles]] in the mid-'80s. Literally dozens of titles came and went, many of which simply attempted to copy the TMNT formula in order to make a fast buck. These ranged from the execrable (ala [[Adolescent Radioactive Black Belt Hamsters]], [[Geriatric Ju-Jitsu Gerbils]]) to genuinely readworthy (as with [[Pre-Teen Dirty-Gene Kung-Fu Kangaroos]]).

Of more interest were the burgeoning ranks of anthro comics which didn't seek to follow in TMNT's tracks. Some even pre-dated TMNT, as with StarReach's [[Duck!]], which not only parodied the short-lived "Duck Craze" of the late '70s (remember "Disco Duck"? Right.), but also showcased then-new talents like Dave Sim ([[The Beavers]]) and Michael T. Gilbert ([[The Wraith]]). Independents and a wide divergence of topics abounded: Steve Gallacci ([[Albedo]]) wrote of animals warring amid the stars under the strict laws of Einsteinian physics, while Vicky Wyman (Xanadu) produced exquisitely-drawn fantasy romances starring unicorn empresses and gryphon wizards. Meanwhile, Jim Groat's [[GraphXPress]] came out with parodies of Conan and Red Sonja in the form of [[Equine the Uncivilized]] and [[Red Shetland]]. Independent comic-book greats such as Donna Barr ([[Stinz]]) and Stan Sakai ([[Usagi Yojimbo]]) built their first readerships amongst the ranks of furries.

Even the mainstream publishers tried to get in on the act, with much less success --- Marvel's [[Power Pachyderms]] isn't known to have any fans even amongst diehard furries. DC's [[Captain Carrot and the Zoo Crew]] took a more "Hanna Barbara" approach and won some support, but not enough to keep from going under as well.

Fantagraphics then published the funny-animal anthology [[Critters]] for fifty issues, after which point it appeared that anthro comics were running out of steam. The TMNT craze had created massive speculation in the comics market, which inevitably resulted in an equally massive backlash when investors attempted to sell their bootleg copies of poorly-drawn books and found that no one wanted to buy them. Whole publishing companies went under almost overnight, taking a number of exceptional anthro comics with them (such as [[Nervous Rex]], a splendid book of surrealist comedy which happened to be published by Blackthorne, which itself became almost universally recognized --- after the fact --- as a fly-by-night ripoff operation).

By 1991, only a few anthro comics continued to maintain any kind of pretense at a publication schedule. Enter Ben Dunn's [[Antarctic Press]]. Mr. Dunn had previously created his own anthro title ([[Of Mice and Men]]) and had built a small independent publishing company on the strength of imported [[manga]] titles and a flagship manga-industry comic called [[Mangaphile]]. [[Furrlough]] was the first genuinely non-manga comic produced by Antarctic, and was shortly swamped with submissions by creators who had teethed during the "TMNT Boom/Bust". Eventually, [[Genus]] was created to allow for the publication of NC17/X-rated material.

The success of Furrlough and, later, Genus, catapulted Antarctic Press into serious competition with long-standing industry independents. Able to expand even further now, Ben Dunn created [[Warrior Nun Areala]], which was non-anthro but whose overnight success greatly overshadowed the anthro line. To free up resources necessary to further promote [[Warrior Nun Areala]] and its related merchandise, AP cut loose the entirety of its anthro line ([[Gold Digger]] not being counted, as AP did not consider it to be a "furry" title).

[[Radio Comix]] was quickly formed by then-AP-editor Elin Winkler and a number of pro-anthro stalwarts to keep Furrlough and Genus alive. Small but steady sales combined with a lean and smart business plan have allowed Radio to slowly prosper to the point where it has been able to expand to carry other lines as well as publish the occasional one-shot or miniseries. Other existing anthro comic publishers include [[MU Press]], [[GraphXPress]], [[Shanda Fantasy Arts]], [[Backbreaker Studios]] and [[Dream Weaver Press]].

In terms of "fannish cred", being published as a comic artist was second only to being a animator at Disney. The top comic artists in furry were the real stars of Furrydom since they were the direct producers of what was readily available. More recently, due to online archives and forums catering to artists on the Internet, as well as sales of prints and art collection CDs, the fandom's focus has slowly moved away from sequential art and more into the realm of "classic", or single-frame, works. At the same time, the number of [[webcomic]]s produced by anthro artists has escalated into the hundreds, some of which are exceptionally good.

This shift is readily explainable: producing a comic book is an expensive and time-consuming affair. Even a small run of a few thousand issues of an average-sized book can cost thousands of dollars to print, and then it must be distributed and fight for shelf space in tightly-packed comic stores. Once it gets there, it may simply be ignored amid the hundreds of brightly-colored titles of the competition. Internet publication avoids all of these problems, offering the artist the likelihood of potential return with virtually no investment.

Another important point is that, as with Science Fiction, Fantasy and Comic Fandoms, fanzines became an important part of Furry Fandom. Amateur Press Associations (APAs) produced "APAzines" like [[Vootie]] and [[Rowrbrazzle]]. These provided a place for artists and writers of the Funny Animal genre to showcase their work and critique each other in the days before online archives and forums were quite so commonplace. APAs are generally exclusive groups, with limited memberships, and the zines produced were usually for members only, although some notable exceptions existed.

Later, [[wikipedia:shared universe|shared universe]] and collection magazines were published. Furry fans could subscribe to these magazines, or purchase them at convention dealer’s rooms. The first furry collection magazine, [[FurVersion]], published by [[Karl Maurer]], was born at a furry party at [[Baycon]] in San Jose, Ca, in 1987. [[Yarf!]], published by [[Jeff Ferris]], became the longest running collection magazine, with over 40 issues. Rowrbrazzle, the fandom's flagship and longest-running APAzine, is published on a quarterly basis with over 85 issues to its credit.

== Notes ==

<references/>

== References ==
* The [[YARF!]] ''[http://yarf.furry.com/chronology.html Chronology of Furry Fandom]'' by [[Fred Patten]]

[[Category:Culture]]
[[Category:History]]
[[Category:Sociology]]
[[Category:Timelines]]

Genetitech

2007-05-02T02:15:35Z

MiffTheFox: Adding :Category:Fictional organizations

'''Genetitech''' is a fictional genetics laboratory created by [[Ken Sample]] as backstory for his furry characters. Genetitech was credited with the creation of the [[felinsect]]s (of which [[Anima]] is the only public example), the [[silkie]]s and various [[recom]] characters including [[Trina DuBois]], [[Amanda Rivers]] and [[Tampa Sample]].

{{fiction-stub}}
[[Category:Fictional locations]]
[[Category:Fictional organizations]]

User:MiffTheFox

2007-04-06T03:09:38Z

MiffTheFox: /wiki

2007-01-09T22:15:33Z

MiffTheFox:

Aka Efitu.

*[[wikipedia:User:Efitu|Wikipedia]]
*[[uncyclopedia:User:Efitu|Uncyclopedia]]
*[http://miff-falden.greatestjournal.com GreatestJournal]