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Bolt is the name of the white American Shepherd Dog and protagonist from the 2008 animated feature of the same name. His character development embodies the film’s main messages regarding trust and loyalty.
In the movie, Bolt has spent his entire life from early puppyhood on a TV-set, where he has been kept isolated from the outside world by the producers of a hit television show. In the show, Bolt must use his superpowers to save his owner and co-actor Penny, whom he loves dearly, from the evil plans of the malevolent villain “Dr. Calico”. Having had no contact with the outside world, Bolt believes that he actually has the superpowers possessed by his TV-figure. This is a delusion the directors of the show efforts to preserve by the use of live effects and stunts, tricking him, week after week, into thinking his adventures are real, in order to make his performance more authentic.
When Bolt, in a misguided attempt to rescue Penny, winds up unconscious in shipping box, he is unintentionally shipped to New York. After having been stranded in the outside world, he discovers that his sense of reality, and therefore his sense of identity, has been severely skewed. Alone, lost and armed with nothing but the hope that his beloved owner Penny still loves him, he embarks on a journey through America to get back to Hollywood, accompanied by an abandoned street cat named Mittens, and a hamster in a plastic ball named Rhino. Along the way, Bolt is forced to acknowledge his limitations and trust other characters to help him, while still holding on to the hope that Penny’s love for him was true and that she is waiting for him in Hollywood. In the end, Bolt learns that his deepest virtues; his bravery, loyalty and canine faithfulness, rather than his perceived superpowers, is what makes him a hero.
The character Bolt was designed and created by Chris Williams and Byron Howard together with the chief character designer Joe Moshier. Much of the inspiration for the character was provided by John Lasseter. The voice cast was done by John Travolta, whose earnest and gentle vocal performance did much to make Bolt into the character he is.
According to executive producer John Lasseter, the film's emotional center is Bolt's journey and the personal evolution it provokes in him. As such, Bolt has a very contrasty personality which varies and develops much in the movie. However, the character does have some general attributes. He is an earnest, often intent individual who despite his erroneous view of the world, is very adaptable to new situations and places and quick to find solutions to problems. And like most canines, he is very loyal to his owner, his “person”, who he travels through America to be with. Bolt's unyielding loyalty towards Penny, and his ability to trust her despite the hardship that he has been put through, and learn to trust the characters he meets on his journey, is portrayed as one of his most important and admirable qualities. He is also courageous. In the end of the movie, Bolt risks his own life to save his owner Penny from a burning building.
While these are his most fundamental attributes, Bolt personality develops a lot in the movie, and the character shows a range of different traits and tendencies. In many of the early scenes, Bolt is earnest, stubborn and acrimonious, seemingly indifferent to everything that does not have to do with his beloved owner. And yet, Bolt can be a remarkably caring and sympathetic individual. Bolt also displays a range of different behavior, as he seems lively and impulsive in certain situations, while still giving the impression of being very few-worded, introverted and sad in other situations. Bolt, being a dog, also features some typical canine behavior. In some scenes in the movie, Bolt is playful, as when he is learning how to be a dog and plays with Mittens. He is also affectionate, warm and loving, particularly towards Penny.
Having spent 5 years isolated in the TV-studio, Bolt is often socially inapt when meeting and interacting with different characters in reality, such as Mittens and other dogs. His career at the TV-series has left him with a view of himself as a very important individual, a self-image that becomes evident when he speaks of himself and his mission to find Penny. Rescuing Penny is his only priority during the first half of the movie, and it affects his personality in many ways. His compulsive view of the world becomes apparent when he meets Mittens, an abounded alley cat who he callously captures thinking that she is another evil, feline minion of The Green Eyed Man. In the beginning of the movie, Bolt takes the dominating role, dragging the protesting cat with him, unsympathetically ignoring her objections. But Mittens has a profound effect on Bolt's character development, as she, upon discovering that Bolt is from a TV-show, tries to explain to Bolt that he isn’t a superdog, sarcastically pointing how his perceived superpowers tend to fail him repeatedly. Bolt ignores her logics but it becomes increasingly difficult as the dog learns lessons of pain and humiliation on the way. However, he is subconsciously holding on to his delusional view of the world, perhaps because giving up on his superhero persona would make him feel vulnerable or powerless. Bolt's stage of denial stands for an important chapter in his character development. It is possible that Bolt's sense of pride might be one of the many things that keep him from listening to Mittens and realizing that he is “just” a normal dog, but the character never gave the impression of being arrogant. He was, however, strong, earnest and relentlessly focused.
However, in contrast to this side of his personality, Bolt holds another, sweet-natured, innocent and loving side. The side of him that he only used to trust Penny with, but that he eventually allows to shine through his tough exterior as he gets to know Mittens and other characters. Upon finally giving up on his superhero persona about halfway into the movie, his personality changes fundamentally. This is mostly evident through his attitude towards Mittens, whom he know treats with respect and consideration, even going as far as letting her teach him "how to be a dog". Bolt’s ability to give up on his pride, expose himself and his vulnerability to Mittens, asking her for help, serves as one of the movies most important values, namely the importance of trust. According to the creator, Chris Williams , this kind of unyielding trust is typical for the canine race:
"if you’re trusting and you give yourself over to somebody, you definitely become vulnerable and you can be hurt. But it’s necessary to take that risk in order to find real fulfillment in life. A dog really embodies that and that’s why we love them” 
The theme of “trust” is essential throughout the movie, as Bolt must trust, not only Mittens, but also Penny who he yearns to be with again. Trusting that Penny’s love for him was real and that she misses him, is what keeps Bolt going throughout his journey. Eventually, Bolt must learn to trust himself as well, acknowledging his limitations without letting that make him doubt what he is capable of. When Bolt rescues Penny from the burning building, he does so knowing that he does not have any superpowers.
During the last part of his journey, Bolt was forced to balance the recognition of his newly accepted limitations: that he is just a normal dog without superpowers, while still believing that Penny’s love for him was true, that he is irreplaceable and special to her, and that he is capable of a great many things. In this struggle, Bolt was and remained alone as Mittens did little to help his brittle self-esteem. Instead, the sardonic cat tried at several accessions to convince him that Penny’s love for him was just as false as the rest of his former life, hence hurtling his confidence. And while Rhino always looked up to Bolt, he never understood that Bolt’s superhero role was just a part of a TV-show, let alone the complex of his personality.
Bolt's character development in the movie, together with the contrast between his tough, earnest personality and his innocent, caring sides makes him a very deep character, but one that can be hard to fully define and understand, much unlike Rhino the hamster who stands for the comical relief in the movie. Despite being the main character, Bolt also has comparably little screen-time, and less dialogs to explain his emotions, further adding to the inscrutability of his character.
Personality and Traits
As he develops so much in the movie, very little is known about Bolt's actual personality, his interests and traits. He seems to be a very fervent, lively and impulsive individual, often seen performing dangerous stunts, even in the real world, like when he jumped from a bridge onto a speeding locomotive. Bolt might give the impression of being stubborn and it takes a lot for him to be beaten down and accept that he does not have these superpowers. However, it could be argued that Bolt is surpassingly quick to realize that his understanding of the world is wrong, given the fact that he spent a majority of his life completely isolated from the real world.
In accordance to his superhero persona, he often gives the impression of being adventures in the real world. However, it is unknown to which point Bolt enjoyed the fictional adventures he shared with Penny at the TV-studio. It is likely that his fear of losing Penny made the entire experience stressful for Bolt, rather than thrilling or stimulating. It is also likely that he saw his superpowers merely as a means to an end, and the end is protecting his person. In the movie, Bolt speaks very little of his superhero role and seems more focused on finding "his person". It would also explain why he is able to accept that he does not have any superpowers after only a few days, despite having spent almost five years in his delusional state.
When speaking, Bolt seems theatrical and eloquent, often using articulate expressions, hyperboles and descriptive metaphors, much in contrast to Mittens who speaks with a certain street slang. Bolt refers to some of the feline characters as “degenerated creatures of darkness”, calling Mittens’ arguments about his lack of superpowers “preposterous”. He often comes with typical, hero-like one-liners, including, but not limited to; “It ends here”, “You leave me no choice”, and uses terms like “classified” and "target aqquired" quite frequently. Obviously not knowing what food is, he refers to whatever can cure the hunger-pains in his belly as “antidote”(much to Mittens' amusement). Upon calming down after his huge self-realization, Bolt speaks less and seems more introverted. Compared to Mittens, Bolt is a few-worded character and the animators relied heavily on body language to make him expressive.
Bolt is, as mentioned, a very caring individual who will stay faithful to his closest friends. His canine trust and guileless credulity makes him a susceptible target for other characters, such as the fast-talking, cynical Mittens, who, at times, manages to hurt Bolt's feelings. During the first part of the movie, Bolt reacted to Mittens sarcastic comments with frustration, and later, with a strong measure of disappointment and resignation.
When relaxed, he seems to possess the common doglike playfulness, and he enjoys chasing sticks, playing with Rhinos hamster ball and digging. Sometimes, when the situation allows for it, Bolt likes wrestling and chewing on his favorite squeaky toy, Mr. Carrot. The brief scenes in the movie when Bolt is shown blissfully playing, learning how to be a "normal dog", are also the scenes in which the titular character seems the most joyful and carefree. Bolt also enjoys rainy nights, playing with garden sprinklers, and much like most dogs, he likes to stick his head out of moving vehicles to feel the wind against his face, and in difference to most dogs, he seems to like watching fireworks and is disgusted by the idea of lapping water out of toilets.
Very little is known about Bolts past, other than that he was adopted in March, 2003 at the Silverlake Animal Rescue Center. In the movie Bolt looks and acts much like an 8 weeks old puppy. In the movie’s opening puppy scene, the audience is introduced to Bolt and his innocent, playful, curious and mischievous nature. Penny enters the locale and spots Bolt almost immediately. Bolt turns to Penny, smiling and wagging happily before being distracted by his own tail and starting chasing it. Penny adopts the puppy, hugs him and gives him is iconic dog collar.
The camera cuts to dark and the next scene takes place 5 years later. The audience is now being introduced to another side of Bolts personality, namely his focused and daring action persona. He is now seen outrunning motorcycles and blowing up helicopters, playing the role of a stereotypical, nerveless super hero.
Time at the TV set
It is soon reveled that Bolt plays the lead role in a popular TV show in which he is the star. In the TV-show, Bolt plays a superdog who has been genetically manipulated to have superpower, like super-strength, the ability to run very fast and his legendary “superbark”. His mission is to protect his owner Penny from this vicious villain Doctor Calico and his evil, cat minions. In each episode, Penny is captured by Doctor Calico, and in each episode, Bolt has to use his superpowers to “rescue” her. Bolt, however, believes that his adventures are all real and that his Penny, the little girl towards whom he directs all of his considerable love and devotion, is in real danger. The directors are nurturing this illusion through the use of extensive scenography and live-effects, hence tricking the apprehensive canine, year after year, into believing that Penny is in serious danger and in need of constant protection. Everything is done in order to achieve a more realistic, genuine performance from the poor dog whose only real interest is to be with his owner, and while the directors seem very determined not to let Bolt get a glimpse of reality, they are not very concerned about the experiment’s effect on Bolt himself.
Penny is a child actress and she knows the drill. She returns Bolt’s love the best she can when she is not being pulled away by other workers or her greedy agent. After each recording session, at the end of each day, Bolt and Penny can spend some time alone in a trailer located inside the studio. Aside from the recording, this is seemingly the only time the two get to have together. Penny is forced to leave Bolt every night, alone, locked in the trailer, as the directors are very keen to keep Bolt isolated from reality, but she aspires to one day take him home with her and let him enjoy the life as a real dog.
In one of the early scenes, taking place inside the trailer after a recording session, the audience is being presented to the damage Bolts hectic, career has done to him and his relation to Penny. As the two characters finally have some time on their own, the dog is too worried and triggered to play or eat. Instead, he is persistently guarding the door from the potential evils he is convinced might still be outside. Penny seems worried. She tries to connect with Bolt, get him to play or calm him down, but soon gives up. After a while, her pink cellphone rings, reminding her that it is time to leave Bolt alone. Bolt, obviously knowing from earlier experience what the ringtone means, looks insistently at Penny and tries to block the door with his body, trying to keep her from leaving. Penny just sighs saying “You know I have to go”. Penny hugs Bolt before leaving, who stands by the door after that she left, whining uneasily.
During the night, two cats from the TV-show visit Bolt's trailer, mocking him, playing on the fact that he thinks it is all real. Bolt does not realize that the cats are making fun of him, showing just how delusional he really is, but he gets frustrated when the cats ignore his threats and attempted intimidation. The cats leave him barking insanely.
When the directors decide to make a “cliff-hanger” in an attempt to boost ratings, Bolt does not get to rescue Penny at the end of the shooting. Instead, he is being captured and dragged to his trailer where they try to look him in. Thinking that Penny needs to be rescued, he effortlessly tricks the guard and escapes the trailer. Spotting some props from the TV-set outside a window, he throws himself against the hard surface, convinced that he will be able to break through. Instead, he knocks himself unconscious and falls backwards into a box stuffed with packing styrofoam. The box is sealed and Bolt is shipped to New York without anyone knowing that he is in the box.
Alone, lost and worried in the streets of New York, Bolt tries to find Penny while running down the crowded streets, convinced that she is still in danger. He tries to perform several of the stuns he used to do in his TV-series. At first, he tries to knock a man, wearing a suit, unconscious thinking that his appearance resembles that of Doctor Calico. But he fails. He also tries to jump over a road construction ditch but falls down the hole in a most anticlimactic manner. Upon crawling back up, he spots a truck carrying a portable toilet that reminds him of the container in which Penny was captured. He runs up in front of the truck, ready to smash his head into it, but the driver spots him and breaks, probably saving the dogs life. Bolt doesn’t find Penny in the portable toilet but he meets a few dogs down the street, which he refers to as “brothers” suggesting that his career at the TV-series has left him with a view of all dogs as allies. However, he quickly becomes frustrated as the dogs seem more interested in sniffing his butt than answering any of his questions, and he runs away when a well-meaning dog walker tries to put a leash on him.
In the next scene, Bolt accidently gets stuck with his head in a fence. Whilst stuck, three pigeons arrives advising him to turn his head in order too break free. Bolt is too frustrated to listen, growling that he needs to find his person. He tries to bend the bars and rock himself free, but to no avail. He eventually calms down and listens to the pigeons, and actually manages too break free when following their instructions. This event marks a milestone in Bolts character development, as it is the first time he has to listen and take instructions from other characters in the movie. The outcome was positive and serves as a behavior alternating “positive reinforcement”. This is also the first time he solves a problem through the use of intelligent problem solving rather than just his superpowers – a practice that Bolt will develop and use throughout the rest of the movie. Bolts ability to solve problems indicates that he is both intelligent and extraordinarily adoptive, despite his delusional view of the world.
Desperate to find Penny, he is directed by a trio of conspiring pigeons to a sassy alley cat named Mittens who bullies pigeons out of their food.
Since Calico has a thing for cats, Bolt believes Mittens is one of his agents and threatens her to tell him where Penny is. Deciding to play along after seeing Bolt's tags, Mittens directs him to Hollywood, but Bolt brings her along against her will.
Along the way, Bolt notices his "powers" aren't working, but he brushes it off as a side-effect of the Styrofoam from the box he was shipped, much like kryptonite for superman. He also experiences pain and hunger for the first time, and Mittens trains him to use "the Dogface" to beg for food when they end up at an RV park. While suckering people out of their food, they meet a TV-obsessed hamster named Rhino who is a huge fan of Bolt's show and like Bolt believes it is all real. He convinces Bolt to let him tag along and leads them to a bridge over a railroad after Bolt states they'll "need a fast set of wheels." When Rhino mentions a "magic box", Mittens finally realizes Bolt is a TV star, but is unable to convince Bolt when they're captured by animal control. Bolt breaks free but it turns out Rhino let him out of the truck's cage, and the lightning bolt on his fur smudges, which finally knocks the truth into Bolt, depressing him. But his spirits are lifted after a brief pep talk from Rhino (who has yet to realize the truth himself), and they manage to save Mittens from the pound. The trio continue their journey and along the way, Mittens teaches Bolt what it means to be a real dog and how to act like one, like playing fetch, sticking his heads out a car window, etc. At first, when he was feeling depressed when he thinks Mittens doesn't believe in him as a super dog, she also cheers him up at one point by letting him in on a "little known cat-secret". Cats hate dogs because they wanna be dogs as she explains dogs have the greatest gig in the world. But when they end up in Las Vegas, Mittens refuses to continue on and tries to convince Bolt that Penny is just an actress and doesn't love him, but Bolt refuses to believe that. Mittens then reveals, while ranting, that her owners abandoned her and left "their declawed cat to fend for herself". Bolt sadly says goodbye to Mittens and wishes her the best, and continues on alone. Rhino then convinces Mittens to follow Bolt with another inspiring speech and they are off to LA as well.
Upon arriving at the studio, Bolt is shocked to see Penny hugging a lookalike of himself and leaves with a broken heart, not realizing it was all a rehearsal and that Penny still misses him.
Outside the studio, he runs into Mittens who explains to him she was in there when it happened and saw that Penny missed Bolt when she cried a little while hugging her mother: Penny truly does love Bolt and misses him dearly. Bolt then suddenly hears something and senses something's wrong and that Penny is in danger. He, Mittens, and Rhino run to the studio, which is on fire due to the lookalike panicking and knocking over some torches, and Bolt makes it inside. He locates Penny and they share a heart-warming reunion which is cut short when they have to get out. Bolt leads Penny to an air-vent but she begins to succumb to smoke asphyxiation. Penny tells Bolt to save himself but he refuses to leave her side. Bolt then realizes his bark echoes out the vent and barks in to the vent alerting the firefighters to him and Penny's location before passing out. They're rescued and sent to the hospital, while Penny's mother informs their agent that they quit.
Some time later, Bolt's show jumps the shark with an alien abduction plotline with his lookedalike, and a Penny lookalike starring in the show (the show explaining the new Penny's different appearance as a result of facial-reconstruction surgery) while Bolt and Penny haved moved to a rural home and neighborhood with Mittens and Rhino, who Penny has adopted, and Bolt finally gets to be a real dog, Penny's dog.But most important of all, Bolt has learned something very important. You don't need superpowers to be a hero, so long as you have courage and belief.
Development and Animation
The character Bolt changed much during the 18 production months, both when it comes to his physical appearance and personality. A series of directors, filmmakers and animators influenced the development of the character. The directors, Chris Williams and Byron Howard, premeditated the character from scratch, but relied heavily on the help from the design team lead by chief designer Joe Moshier and various filmmakers who worked at the studio, such as Wayne Unten. Even John Lasseter and John Travolta, the producer and the voice actor, affected the development of the character’s personality. John Lasseter, in particular, worked very closely with the directors to create an interesting premise for the character Bolt.
Character Role Development
Template:Quote box After the release of Meet the Robinsons, Disney animators and filmmakers had an extensive training program to prepare for the work on what would later be called "Bolt". At the time, former director and storyboard artist, Chris Sanders was in lead of the project. Chris Sanders had started working on a character, a dog, whose overall appearance and personality was predominantly different from the “current” Bolt. Sander’s character would be named Henry and, in difference to Bolt, he was an actual actor who would one day find himself lost in the Nevada desert. Henry would meet a radioactive hamster and a one-eyed cat, two characters that would help him find a new home. When John Lasseter became Chief Creative Officer at Disney in 2006, he demanded to see Chris Sanders project. John Lasseter and his collogues from Pixar viewed a couple of early cuts of the film, but they were not impressed. They suggested a series of changes to improve the character Henry and his story. Chris Sanders refused and was, therefore, replaced by two new directors, Chris Williams and Byron Howard. John Lasseter was quoted saying that “Chris Sanders is extremely talented but couldn’t take it to the place it had to be”, adding that “the story was too quirky for his own good”. John Lasseter took over management for the project as the chief producer, working very closely with Chris Williams and Byron Howard to improve Chris Sanders project. Many changes were made to both the story and the character Henry, who was now renamed "Bolt". Byron Howard was put in charge for the animation and design of the dog while Chris Williams worked on the story-line. Under the new direction, a new dog emerged, more similar to the Bolt we know. John Lasseter was spending most of his time shaping up the plot, providing the animators with his vision of who the character was supposed to be, as well as his role in the movie.
A new premise emerged about a more naïve dog who actually believes that he is a superhero. The animators saw more potential in the new plot featuring this delusional character, with a completely false understand of his world, and then to have that understanding stripped away, hence letting the character discover a new world, and ultimately, his own identity. Byron Howard and Chris Williams worked with ways to make Bolt relatable and distinguish his personality. As such, Penny was added, functioning in the movie as the goal of Bolt’s journey, playing the role as Bolt’s loved “person”. “I think that for people to love a movie they have to love the characters and care about the relationships” said Chris Williams about Bolt, “So we definitely wanted to make sure that people really loved Penny and Bolt, and wanted them to be together”.  The new story emphasized Bolt’s relationship to his owner, making the entire plot more centered on the typical canine characteristics, which according to the directors, were innocence, loyalty and trust. According to director Byron Howard, the new Bolt was more true to what a dog is in comparison to Chris Sander's Hendry.
John Lasseter approved of Byron Howard’s and Chris William’s new concept, pleased with the potential for ironic value in a story about a dog who doesn’t know how to be a dog, as well as character development. “The thing that appealed to me the most about Bolt from the very beginning was the potential for growth in the main character”.
As the development Bolt’s personality and role in the movie continued, it became apparent that Bolt would have a certain “duo-personality”, being a contrasty mix between his adventurous actionhero persona, and his more sensitive, loving and sympathetic side. John Travolta was chosen as they thought he would bring the right blend of toughness, humor and appeal needed for Bolt’s voice. The actor was actually chosen among several other alternatives, as he is someone who has had a lot of
success playing tough characters in his career. In the animators opinion, one of the reasons he has been so successful is because there is an innate “sweet quality” in him, and therefore, as bad and mesmerizing as a character can be, he is still making them likable. This ability was very desirable amongst the storyboard artists and filmmakers, as they thought it the perfect combination for playing a dog who thinks that he’s a very threatening, menacing figure but underneath it all is really a normal puppy who loves his owner.
“We were really fortunate in having John Travolta voice our main character,” said Chris Williams in a recent interview. “It plays to two of John’s biggest strengths. It was a thrill working with an icon who’s been in so many great movies, and I think his performance really brought something special to the character of Bolt.” 
Voice workJohn Travolta took a liking to the character Bolt, even before he started recording his voice. Despite being asked several times over the years, the actor had never worked with any animated feature before, and was consequently comparably inexperienced in the field of voice casting. Bolt was the first animated character that he agreed on providing the voice for. According to the actor himself, Bolt was the first time that “indicated as the right character”. In an interview with CBS, Travolta explained that he was intrigued with Bolt’s personality after reading the script. 
John Travolta also said in an interview that he was already in touch with his “inner dog” when Disney contacted him, which, to some point, helped him fit the role of Bolt; “Whenever anyone asks you like what kind of animal you remind yourself of, people always choose the dog for me, and you know I didn’t disagree with them. “ When asked in an interview with MoviesOnline, whether he felt like he can relate to Bolt, Travolta answered yes, saying that he has some very close friends that he, much like Bolt, is very loyal to. “I am a big guy in that area and loyalty of commitment to my friends”, the said in the interview. Providing the voice for Bolt would prove to be a long and complicated challenge for Travolta, partly because it took time for the actor to find a suitable voice for the character. In order to find a suitable voice for Bolt, Travolta took inspiration from his performance from earlier action movies such as Broken Arrow and Face/Off, mixing it up with a certain naiveté and guilelessness suitable for Bolt’s character. As a result, John Travolta’s vocal performance for Bolt would distinguish itself compared to the voices for other characters such as Mittens and Rhino, in that it was serious and unmanipulated rather than cartoonish, and hence, more true to Bolt’s earnest nature. According to John Lasseter, this distinct performance was desired for Bolt’s voice, and that’s why they rather than choosing an experience voice actor, decided to pick an real actor.
“I think one of the things that we are able to tap into with Bolt are a lot of the great roles that John has played. He’s played real heavies, real tough guys and he’s always great. And I think that one of the reasons for that is that there is, if you don’t mind me saying this, sort of an innately likeable, genuine, sweet side to John that always is there, and so I think we knew that he was going to be the right guy to play Bolt.” 
In many ways, the character Bolt was animated after Travolta’s voice, expressions and his personal interpretations of the dialogs. Bolt’s mimics in the movie was inspired by Travolta’s performance and the animators would, when working with the storyboard, take inspiration from and sketch after John Travolt’s facial expression. His facial expressions were therefore taped during the recording sections by a video camera. As such, John Travolta would give the animators different takes of every dialog which at times could mean up to 20-30 different versions of the same sentence for the animators to choose from. A “Chinese menu” as John Travolta called it.
The effort of providing the voice for an animator character was very different from the earlier voice work John Travolta had done for commercials, and he relied on guidance from the other filmmakers, not least from Chris Williams who worked closely with Travolta to assure that his voice work was pertinent to his vision of the character. “Chris Williams was a revelation to me, his affection for Bolt was infections and I was so tickled by everything we were doing and his choices. The collaborative effort was huge”, John Travolta said about the director.  
Character Design Development
As Bolt’s personality developed, so did the design of the character. Bolt’s original appearance, as the dog Hendry created by Chris Sanders, was very different from the current Bolt. Hendy was given a more distinguished, cartoony look and red fur. The character would also be biped, meaning that he would stand on two legs and look much like a human being. He would also be wearing clothes.
As John Lasseter took over management for the project, Hendry was scrapped and replaced with a white American Shepherd Dog. This character was of a slightly bigger size than the Bolt we know, but shared some attributes, such as the natural four-legged appearance and shepherd-like ears and tail. He would also have a longer, more pointy muzzle. This character was illustrated by director Paul Felix and the Art Department who worked to create inspirational paintings and concept art. However, the idea of having a shepherd as the main character came from Chris Williams, who had decided that he wanted to main character to be an American shepherd rather than just “a pongo with different ears”.
However, as the storyboard work began, the design team and chief animators Wayne Unten and Joe Moshier decided to once again change Bolt’s appearance. They more realistic American shepherd design didn’t fit in the movie’s backdrop. A lot of the animators were also annoyed with Bolt’s paws and ears, thinking that his ears looked too long and his paws were too small. Bolt was redesigned to be smaller and sturdy in contrast to the earlier, tall and feeble design. He was also given a more adolescence appearance in order to look more vulnerable and innocent, with bigger paws, shorter legs and bigger head. This new design was more suitable for Bolt’s character and was also more appropriate for the action scenes. His face was also changed, with a slightly wider snout and a more expressive and distinctive profile.
According to Joe Moshier, this change was necessary for Bolt to be “Bolt”:
“The storyline was very similar. He was still a TV hero dog, but, the way we were designing it, he was an adult dog. Proportionally, he looked bigger, much longer legs. He just looked like he would be successful and accomplish any goal he wanted to achieve. Storywise, his physicality didn’t lend itself to much pathos and doubt. So, we decided to make Bolt look slightly more adolescent. That’s why he’s short, now, for a white American shepherd. He looks like his task would be a little more challenging at his size.
The new design was still very much inspired by the white American shepherd. Joe Moshier and the other animators decided to bring a white American shepherd to the studio to draw and analyze. The shepherd dog was suitable inspiration for Bolt's character design due to its long, pointy ears, a trait that Joe Moshier tried to caricature in order to allow the animators to emphasize Bolt's expressiveness. Another shepherd-like feature was the long, elegant tail, giving the character a more graceful appearance.
The animator and visual development artist, Jim Kim, was very important in the project. Jim Kin worked with the design team’s different designs, putting them in different orthographic poses, experimenting with the expression. He worked to give Bolt his communicative facial expressions and expressive body language
To make sure that the way Bolt walked and moved seemed believable, the animation studio would study the appearance of several different dogs to get a realistic feel for canine movements and anatomy. When animating Bolt's model during the production, one of their many goals was to successfully marry the realistic, natural body language of real dogs with Bolt's more anthropomorphic facial expressions, to make the character dynamic and expressive. By now, after months of redesigning, the character Bolt looked and behaved like we remember him from the movie. The detailed animation of the characters in the film required a huge step up in quality for Walt Disney Animation Studios compared to previous titles and a lot of effort was put into details, like how Bolt's fur would fold under his red dog collar, and cover parts of it as his moved. As such, the production of Bolt ended up being a very expensive project and required much effort from every single animation department during a stressful few months, and more than half of the the animation crew was let go as soon as the animation of the film was finished.
Physical AppearanceWhen designing Bolt, the animators started out with the White American Shepherd Dog with changes done to the face, muzzle, eyes and overall body. Bolt’s breed is not defined in the movie but his overall appearance has seemingly more similarities with the Swiss-originated Berger Blanc Suisse than the American White Shepherd.
Bolt is a medium sized dog, though he sometimes appears smaller than he is due to his big paws, relatively short legs and big head. Despite this, Bolt has a muscular, sturdy body with strong upper arms and thighs. He is, however, slender, with a trim belly, long elegant tail and flexible, agile body. Just like real Shepherd dogs, Bolt has a strong neck with thick, seemingly double-coated fur, which is raised when excited and lowered while running. The difference between Bolt’s back head and furry neck is not very well distinguished. Bolt’s appearance is “softer” than a normal German Shepherd with a more curved outline, thick, rounded legs and domed forehead. The "normal" Shepherd has longer, thinner legs and a more meager appearance.
Bolt’s coat is a creamy white and his fur differs in thickness as it is short haired over his belly, flanks and back, and a bit thicker over his neck. The animators worked much with Bolt’s fur so that it would seem soft and fluffy with every hair moving in a realistic way. During the making of the movie, having Bolt’s white fur getting smudged and dirty was a bit of a challenge according to the animators.
Bolt’s ears are big, fluffy and stand vigilantly erect over his head. His alert ears are a trademark of his caricature and they don not only match his intent personality and sharp profile, but also allowed the animators to emphasize his expressiveness. They leave his face uncovered; making way for Bolt’s other expressive, facial features.
However, Bolt is obviously able to drop his ears, which he does when creating his powerful dog face. Despite being stiff, Bolt’s ears do change somewhat in accordance to his body language. When sad, Bolt’s ears seem to drop slightly, as he lowers his head and his posture starts to slouch. When eager, alert or listening, Bolt’s ears will stand vertically up, and when aggressive, Bolt will fold his ears back against the back of his head - much like real dogs. When affectionate and cuddly (a behavior that is mostly seen when Bolt is together with Penny), Bolt has his ears slightly dropped against his head, expressing submission and kindliness.Bolt eyes are big and seem to change between brilliant amber and warm brown, again much like his contrasty personality. His pupils and iris resembles a human eye rather than an animal’s. His muzzle is short, wide and square-cut compared to that of the common shepherd, but is all the same very slender and ends in a wide black nose. His mouth looks like a normal canine mouth, even down to the black dog lips, and follows his jaw naturally, particularly when he smiles. Bolt has two heavy eyebrows, and though they are not clearly outlined, they add a lot to his facial expressions.
Much like his extensive, canine body language, Bolt mimics are also very expressive. Bolt’s facial expressions are anthropomorphic. For example, Bolt might smile like a human while wagging his tail like a dog. Bolt’s facial expressions are both exemplary and communicative and were carefully sketched and planned for every animated scene. Bolt’s eyes, mouth, eyebrows and ears are all essential in creating Bolt’s facial expressions and a lot of effort was put into making the underlying “muscles” behind his face move in a believable way. In a scene at the RV-park when Mittens teaches Bolt to express the”dogface”, the animators took the opportunity to show off some of their advanced texture rendering and animation technology, focusing on Bolt’s face as he changes expressions.
Bolt’s facial expressions are very important for understanding the character's emotions, as Bolt is comparably few-worded in the movie. His facial expressions and mimics also changes significantly depending on context. During the first half of the movie, Bolt expresses a spectrum between stress, as well as confusion´, focus, determination. When speaking to Mittens, Bolt seems apathetic, almost arrogant. Later on, the same character seems miserable and sensitive. Aside from general emotions, Bolt has some personal tendencies. When Bolt thinks, he has a way of lowering his head and narrowing his eyebrows. His pupils might move back and forward as in search for something on the ground, or a thought in the back of his head. This behavior can be observed in many scenes, but most notably when he meets the pigeons in New York and when he first meets Rhino at the RV-park.
- ↑ Bolt(2008) Trivia, The Internet Movie Database (IMDb).
- ↑ 101.com/content/interview-with-bolt-director-chris-williams-a104897 Interview with Bolt Director Chris Williams,Suite010.com.
- ↑ Holson, Laura M. March 4, 2007. "He Runs That Mickey Mouse Outfit", New York Times
- ↑ 5.0 5.1 Cinzia Angelini One Bold Bolt-animator, AnimatedViews.com.
- ↑ 6.0 6.1 6.2 6.3 6.4 Official Disney Production Notes,Disney.go.com.
- ↑ Travolta Gets Animated,BCS: The Early Show
- ↑ 8.0 8.1 Cast Interview, BOLT,MoviesOnline
- ↑ Joe Moshier One bolt Bolt-designer/,MoviesOnline
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